《高级英语第二册修辞复习.doc》由会员分享，可在线阅读，更多相关《高级英语第二册修辞复习.doc（6页珍藏版）》请在三一办公上搜索。
1、Lesson1Pub Talk and the Kings English1. The conversation had swung from Australian convicts of the 19th century to the English peasants of the 12th century. Who was right, who was wrong, did not matter. The conversation was on wings.metaphor2. As we listen today to the arguments about bilingual educ
2、ation, we ought to think ourselves back into the shoes of the Saxon peasant. metaphor3. I have an unending love affair with dictionaries-Auden once said that all a writer needs is a pen, plenty of paper and the best dictionaries he can afford-but I agree with the person who said that dictionaries ar
3、e instruments of mon sense. metaphor4. Even with the most educated and the most literate, the Kings English slips and slides in conversation.alliteration5. Other people may celebrate the lofty conversations in which the great minds are supposed to have indulged in the great salons of 18th century Pa
4、ris, but one suspects that the great minds were gossiping and judging the quality of the food and the wine.synecdoche 6. Otherwise one will tie up the conversation and will not let it go on freely.metaphorLesson 3Inaugural Address1 Let the word go forth from this time and place, to friend and foe al
5、ike, that the torch has been passed to a new generation of Americans, born in this century, tempered by war, disciplined by a hard and bitter peace, proud of our ancient heritage, and unwilling to witness or permit the slow undoing of these human rights to which this nation has always been mitted, a
6、nd to which we are mitted today at home and around the world.alliteration2 Let every nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of libertyparallelism3 United
7、, there is little we cannot do in a host of co-operative ventures.Divided, there is little we can do, for we dare not meet a powerful challenge at odds and split asunder.antithesis4 in the past, those who foolishly sought power by riding the back of the tiger ended up inside.metaphor5 If a free soci
8、ety cannot help the many who are poor, it cannot save the few who are rich.antithesisLesson 4Love Is a Fallacy1 Charles Lamb,as merry and enterprising a fellow as you will meet in a month of Sundays, unfettered the informal essay with his memorable Old China and Dreams Children.metaphor2 Read,then,t
9、he following essay which undertakes to demonstrate that logic,far from being a dry,pedantic discipline,is a living,breathing thing,full of beauty,passion,and trauma.metaphor, hyperbole3 She was, to be sure, a girl who excited the emotions but I was not one to let my heart rule my head.metonymy4 Back
10、 and forth his head swiveled,desire waxing,resolution waning.antithesis5 It is not often that one so young has such a giant intellect. Take, for example, Petey Butch, my roommate at the University of Minnesota. Same age, same background, but dumb as an ox.hyperbole,simile6 One more chance, I decided
11、. But just one more. There is a limit to what flesh and blood can bear. synecdoche7 Maybe somewhere in the extinct crater of her mind,a few embers still smoldered.Maybe somehow I could fan them into flame.metaphor,extended metaphor8 1 may do better than that, I said with a mysterious wink and closed
12、 my bag and left.transferred epithetLesson 5 The Sad Young Men1 The slightest mention of the decade brings nostalgic recollections to the middle-aged and curious questionings by the young: memories of the deliciously illicit thrill of the first visit to a speakeasy, of the brave denunciation of Puri
13、tan morality, and of the fashionable experimentations in amour in the parked sedan on a country road; questions about the naughty, jazzyparties, the flask-toting”sheik”,and the moral and stylistic vagaries of the “flapper”and the “drug-store cowboy”.transferred epithet2 War or no war, as the generat
14、ions passed, it became increasingly difficult for our young people to accept standards of behavior that bore no relationship to the bustling business medium in which they were expected to battle for success.metaphor3 The prolonged stalemate of 1915-1916,the increasing insolence of Germany toward the
15、 United States, and our official reluctance to declare our status as a belligerent were intolerable to many of our idealistic citizens, and with typical American adventurousness enhanced somewhat by the strenuous jingoism of Theodore Roosevelt, our young men began to enlist under foreign flags.meton
16、ymy4 Before long the movement had bee officially recognized by the pulpit (which denounced it), by the movies and magazines (which made it attractively naughty while pretending to denounce it), and by advertising (which obliquely encouraged it by selling everything from cigarettes to automobiles wit
17、h the implied promise that their owners would be rendered sexually irresistible).metonymy5 Younger brothers and sisters of the war generation, who had been playing with marbles and dolls during the battles of Belleau Wood andChateau-Thierry, and who had suffered no real disillusionment or sense of l
18、oss, now began to imitate the manners of their elders and play with the toys of vulgar rebellion.metaphor6 These defects would disappear if only creative art were allowed to show the way to better things, but since the country was blind and deaf to everything save the glint and ring of the dollar, t
19、here was little remedy for the sensitive mind but to emigrate to Europe where “they do things better.”personification, metonymy, synecdoche7 The war acted merely as a catalytic agent in this breakdown of the Victorian social structure, and by precipitating our young people into a pattern of mass mur
20、der it released their inhibited violent energies which, after the shooting was over, were turned in both Europe and America to the destruction of an obsolescent nineteenth century society.metaphorLesson 6Loving and Hating New York1 The giant Manhattan television studios where Toscaninis NBC Symphony
21、 once played now sit empty most of the time, while sits cloned and canned in Hollywood, and the Johnny Carson show live, preempt the airways from California. alliteration and metaphor2 Tin Pan Alley has moved to Nashville and Hollywood.metonymy3 New York was never Mecca to me.metonymy4 Nature consta
22、ntly yields to man in New York: witness those fragile sidewalk trees gamely struggling against encroaching cement and petrol fumes.personification5 So much of well-to-do America now lives antiseptically in enclaves, tranquil and luxurious, that shut out the world.metonymy6 The defeated are not hidde
23、n away somewhere else on the wrong side of town.euphemism7 Characteristically, the city swallows up the United Nations and refuses to take it seriously, regarding it as an unworkable mixture of the idealistic, the impractical, and the hypocritical.personificationLesson 8The Future of the English1 So
24、me cancer in their character has eaten away their Englishness.metaphor, personification2 Against this, at least superficially, Englishness seems a poor shadowy show a faint pencil sketch beside a poster in full colour.metaphor3 As it is they are like a hippopotamus blundering in and out of a pets te
25、a partysimile4 But it is worth noting along the way that while America has been for many years the chief advocate of Admass, America has shown us too many desperately worried executives dropping into early graves. transferred epithet5 Yes, Englishness is still with us. But it needs reinforcement, ex
26、tra nourishment, especially now when our public life seems ready to starve it.metaphor6 There are English people of all ages, though far more under thirty than over sixty, who seem to regard politics as a game but not one of their games polo, let us say. metaphor7 And this is true, whether they are
27、wearing bowler hats or ungovernable mops of hair. metonymyLesson10The Discovery of What It Means to Be an American1 When it did, I like many a writer before me upon the discovery that his props have all been knocked out from under him, suffered a species of breakdown ad was carried off to the mounta
28、ins of Switzerland.metaphor2 There, in that absolutely alabaster landscape armed with two Bessie Smith records and a typewriter I began to try to recreate the life that I had first known as a child and from which I had spent so many years in flight.metaphor3 Once I was able to accept my roleas disti
29、nguished, I must say, frommy “place”in the extraordinary drama which is America, I was released from the illusion that I hated America.metaphor4 It is not meant, ofcourse, to imply that it happens to them all, for Europe can be very crippling too;and,anyway,a writer,when he has made his first breakt
30、hrough, has simply won a crucial skirmish in a dangerous, unending and unpredictable battle.metaphor5 Whatever the Europeans may actually think of artists, they have killed enough of them off by now to know that they are as realand as persistentas rain,snow, taxes or businessmen.simile6 In this endeavor to wed the vision of the Old World with that of the New,it is the writer,not the statesman, who is our strongest arm.metaphor
