《study proposalh4.doc》由会员分享，可在线阅读，更多相关《study proposalh4.doc（3页珍藏版）》请在三一办公上搜索。
1、Study Proposal1. INTRODUCTIONFilm-making is the best way I know to translate all the pictures in my head to the real world - seeing the world in scenes. I started my intellectual odyssey in film-making with my undergraduate program in DramaandFilm-and-TelevisionLiterature. Duringmy study, I got a pr
2、eliminary understanding of the development of Chinese film in the history of the movies, as well as the tradition of Chinese cinema and industrial practice. Ifoundmyselfhadbeenstronglyattachedtospecificterritory of film-making, which can be life-giving, with its unparalleled visual power. Therefore,
3、 I am determined to seek excellence in the profession by seeking the MA Screen: Directing, Writing program at your university. As the foremost program in alternative directing and writing, your program is a creative laboratory for producing works of social significance and artistic merit and seeks t
4、o produce graduates who challenge the current practices of film-making field. Such ideals are closely geared to my artistic temperament and outlook. I am particularly excited over the fact that your program encourages creation in directing and production, enabling students to understand the nature a
5、nd functions of the film directors work, with special emphasis on contemporary documentary, independent narrative, and works arising out of both an artistic and social consciousness.2. PROGRAMOFSTUDYMy principle in learning: Practicefirst,theory second, vision third I believe making good use of East
6、ern and Western cultural essence and the marvelous achievements of human civilization will let Chinese film arts get rid of the restriction of history, jump out of the box and catch up with the trend of the times. This is how I understand about film-making and how I would pursue my future film-makin
7、g career. I have been consistently explored in chinese traditional dramas and films, studied the traditional operas like Kunqu opera, Peking opera, and Henanopera, and modern films such as pioneerism and realism movies. I would like to produce a modern film aborded the essence of realism, moodernism
8、 and Chinese traditional drana theories. Atpresent,mycareeridealisclearinmymind.Inordertocombinemyowncareerobjectivewithsocialdevelopmentandaccommodateawidevarietyofinterdisciplinaryknowledge,Iwillcomprehensivelystudythe specific form of Hollywood-based movie, as well as the development of the Holly
9、wood film industry, fission, crisis, a series of associated concepts, through a combination of the the various slices cases and related text learning. Thatstheobjectivelawandtrends.Ipickupthisprogrammewiththemostadvancedresearchfacilitiesandworld-classfaculty,toupgrademyknowledgeoffilm directing. It
10、squiteconvinciblethatmysoliddramaandfilm literaturebackgroundwillhelpmetounderstandmoreclearlytheinternaloperationoffilm making.Furthermore, in my practices both on and off the campus, I have planned to involve some films and TV clips in cooperation with the director and other staff, to allow my ima
11、gination to soar, producing only what I deem to be the best and the most original with the limited time and cost. 3. RESEARCHSOURCESShu Xiaoming and Zhong Dafeng, 2007, Chinese film history, China Radio and Television Press.Lee Road, 2012, Chinese film history research topics, Peking University Pres
12、s.Hu Bin, 2003, Significant history of foreign films Bring Forth New Ideas, China Radio and Television Press.John Howard Lawson, 1962, drama and the movie plays Theory and Techniques, China Film Press.4. BIBLIOGRAPHAllen, Gomery forward Li Xun translation, 2010, Film History: Theory and Practice refactoring Chinese Film History (U.S.), World Book Publishing Company. Christine Thompson, 2004, History of World Cinema, Peking University Press.
