《Chinese opera and the European Opera Comparison7123.doc》由会员分享，可在线阅读，更多相关《Chinese opera and the European Opera Comparison7123.doc（7页珍藏版）》请在三一办公上搜索。
1、Chinese opera and the European Opera ComparisonAbstract: Chinese Opera and European opera are the concentrated expression of cultural diversity. Emphasis Yan Zhi Chinese opera song lyric to sing more important than the form of voice stress sweet words re-chamber a round bright light, music and chara
2、cters from the. Emphasis on reproduction in order to imitate the European opera Singspiel emphasis on content, vocal emphasis on bright wide-hong, the words and songs from. Keywords: Chinese Opera European Opera differences Chinese opera and opera in Europe, is the worlds two outstanding representat
3、ives of dramatic art system. As an integrated arts and drama, is the concentrated expression of cultural diversity is a peoples social life, cultural traditions and psychological quality in the long process of development, gradually accumulated a high level of spirit. Therefore, the Chinese theater
4、and opera in Europe have their own distinctive artistic characteristics and deep aesthetic characteristics. 1, Chinese opera and European opera-shaped on the development of (A) The formation and development of Chinese opera Chinese opera is the ancient dance of the inheritance and development. Ge Ti
5、anshi Chinas first dance was the ancient music articles Lu Spring and Autumn, which is a kind of music, dance, instrumental music as a whole art. Southern and Northern Dynasties period, produced a movie and join the army folk song and dance drama. Such as song and dance show Omo, Ballad riding mothe
6、r, such as arising from the Eastern Jin Dynasty period, to join the army is still in play in the Sui and Tang dynasties break up music category, and very popular. Evolved from the original song and dance into a dance played the story is a very long historical process, after the primitive society, fe
7、udal society thousands of years. From this process can be seen dancing and singing Chinese opera art form is the result of centuries of continuation, development, and mature gradual process, which has deep roots of Chinese opera, art system is perfect. (B) The formation and development of opera in E
8、urope Opera originated in Florence, Italy in Europe, so Italy has been praised as the hometown of opera in Europe. Early Italian opera as music drama, which is a kind of music, literature, drama, art, dance, combining a comprehensive arts genre. It is the Baroque period of the birth of the greatest
9、music, arts, a revolution. European opera music material mostly derived from folk songs and religious music. In 1597 the first opera Daphne was born from the Linuqini provided script, Perry composer, but this opera has not survived. 1600, Linuqini and Perry co-operated again, creating the opera, Ed
10、Euridice. Its theme from the Bible, this opera has had a strict sense of the embryonic form of the opera - recitative, songs, chorus, dance, orchestra and the finale. 18 century early 19th century, Italys social unrest. To make the opera into the decline period. But in the national movement under th
11、e influence of the composer Rossini resumed the Italian opera. After the Rossini, there are many talented musicians come to the fore, such as Bellini, Donizetti, Verdi and so the history of opera in Italy, made an important contribution. The late 19th century early 20th century, Italy has emerged in
12、 the true doctrine. Real-ism describes ordinary people focus on the emotional impulses and violent behavior. It is taken in the social life, in particular, reflect the real-life tragedy of the image, changing the previous performance of the myth of romantic opera story. Later, in Europe there are op
13、era, is to start singing opera is theater. Are being made outstanding contributions to the opera is Verdi, his artistic career in music history occupies an important position. Second, Chinese opera and European opera differences (A) freehand and realism Chinese Opera and European opera for the USs p
14、ursuit of art, with their own concept of national culture and art are closely related origins. Chinese people believe that Where the sound of, there has been heart health is. The peoples movement, and materials to make natural ( Music). Ancient Chinese opera art is thus stressed that in my view of t
15、hings, the aesthetic criteria. Westerners who think that art should be objects have not and stressed that to objects are objects important philosophical thinking. Chinese opera and poetry, words, songs, endowed with the relationship between the origins, emphasis, Yan Zhi lyric, the European opera, w
16、as derived from the ancient Greek epic drama, emphasis on reproduction of imitation. Chinese opera freehand seeking the United States, the European opera realism truth. These two different aesthetics of art and music are closely related to the creation of methods. (B) sing and sing Chinese opera to
17、sing songs. By singing to Joking content; Zeyi Singspiel opera in Europe, that is to talk with the feelings of bel canto singing. Therefore, in the past performance of China is the theater, Europes performance is the theater. This title is also a coincidence, but it is also related to this exactly.
18、(C) differences in speech - Is a major factor in the spread of the sound, dramatic music, singing voice through technical training to become artistic vocal skills. Generally speaking, pay attention to sweet sound of Chinese opera Yuan-liang, while the European opera is seeking bright and wide flood.
19、 Chinese opera vocal technique is the use of pubic emboldened to make the air pin down the voice strong and full, mellow sweet, the use of light and heavy circumflex audible skills, the complexity of the feelings of the characters can the performance of Lin Lin to make letter. European opera in the
20、19th century, 40 years, with the rise of Verdis opera of patriotism, combined with the band expanded orchestration heavier emphasis on the performance of passion and therefore calls for the generous mood, that is, with a strong chest and ambitious volume, in order to achieve bold and unconstrained d
21、ramatic effects. Reposted elsewhere in the paper for free download http:/ (D) in the articulation of different aspects of Singing is based on the word sounds and feelings, whether it is Western, singing the word love when they were required combination of the two come to embody the image of perfect
22、art. However, in the national habits and there are differences between Chinese and Western aesthetic consciousness. Chinese opera characters re-cavity light-emphasized by the words of Health cavity by cavity hygiene conditions, the European bel canto opera, stressed that the performance was the situ
23、ation by the Health and by the sound health conditions. Or subordinate to the Chinese opera is a song the words, the European opera is made subordinate to the songs, two different focus. To sum up, Chinese Opera and European opera formation and development of its artistic features are: Ancient Chine
24、se opera music is a folk dance - singing poetry - art of transmutation process drama. European opera composers Zeyi mainly to absorb folk music and religious music, to the development of National Chiao Tung University, it can be said that the European opera is a composer to write drama with music, a
25、nd therefore both opera composers personal style, have a different repertoire The unique character. Chinese Opera and European opera, in the performance of systems and different aspects of artistic creation, but as a musical theater there is a common, and can be absorbed with each other for common d
26、evelopment. References: 1 Shen Xiang. Vocal Art of Teaching. Shanghai: Shanghai Conservatory of Music Press, since.1998 edition. 2 Sun Jinan, weekly column. Compendium of China Conservatory of Music History. Jinan: Shandong Education Press .2000 edition. 3 even wave. Country music scent. Beijing: Pe
27、oples Music Publishing House .2001 edition. 4 Research Institute of China Art Academy of Music. Folk music Introduction to .1980 (1). 5 CW Chu repair. Of Western musical history. Zhengzhou: Henan University Press, .2003 edition. 6 Luo Xiu-Ping. Music, looking for beauty. Shanghai: Shanghai Conservat
28、ory of Music Press, .2005 edition. Reposted elsewhere in the paper for free download http:/更好的翻译建议感谢您为 Google 翻译提供翻译建议。提供更好的翻译建议：Chinese opera and the European Opera Comparison Abstract: Chinese Opera and European opera are the concentrated expression of cultural diversity. Emphasis Yan Zhi Chinese
29、opera song lyric to sing more important than the form of voice stress sweet words re-chamber a round bright light, music and characters from the. Emphasis on reproduction in order to imitate the European opera Singspiel emphasis on content, vocal emphasis on bright wide-hong, the words and songs fro
30、m. Keywords: Chinese Opera European Opera differences Chinese opera and opera in Europe, is the worlds two outstanding representatives of dramatic art system. As an integrated arts and drama, is the concentrated expression of cultural diversity is a peoples social life, cultural traditions and psych
31、ological quality in the long process of development, gradually accumulated a high level of spirit. Therefore, the Chinese theater and opera in Europe have their own distinctive artistic characteristics and deep aesthetic characteristics. 1, Chinese opera and European opera-shaped on the development
32、of (A) The formation and development of Chinese opera Chinese opera is the ancient dance of the inheritance and development. Ge Tianshi Chinas first dance was the ancient music articles Lu Spring and Autumn, which is a kind of music, dance, instrumental music as a whole art. Southern and Northern Dy
33、nasties period, produced a movie and join the army folk song and dance drama. Such as song and dance show Omo, Ballad riding mother, such as arising from the Eastern Jin Dynasty period, to join the army is still in play in the Sui and Tang dynasties break up music category, and very popular. Evolved
34、 from the original song and dance into a dance played the story is a very long historical process, after the primitive society, feudal society thousands of years. From this process can be seen dancing and singing Chinese opera art form is the result of centuries of continuation, development, and mat
35、ure gradual process, which has deep roots of Chinese opera, art system is perfect. (B) The formation and development of opera in Europe Opera originated in Florence, Italy in Europe, so Italy has been praised as the hometown of opera in Europe. Early Italian opera as music drama, which is a kind of
36、music, literature, drama, art, dance, combining a comprehensive arts genre. It is the Baroque period of the birth of the greatest music, arts, a revolution. European opera music material mostly derived from folk songs and religious music. In 1597 the first opera Daphne was born from the Linuqini pro
37、vided script, Perry composer, but this opera has not survived. 1600, Linuqini and Perry co-operated again, creating the opera, Ed Euridice. Its theme from the Bible, this opera has had a strict sense of the embryonic form of the opera - recitative, songs, chorus, dance, orchestra and the finale. 18
38、century early 19th century, Italys social unrest. To make the opera into the decline period. But in the national movement under the influence of the composer Rossini resumed the Italian opera. After the Rossini, there are many talented musicians come to the fore, such as Bellini, Donizetti, Verdi an
39、d so the history of opera in Italy, made an important contribution. The late 19th century early 20th century, Italy has emerged in the true doctrine. Real-ism describes ordinary people focus on the emotional impulses and violent behavior. It is taken in the social life, in particular, reflect the re
40、al-life tragedy of the image, changing the previous performance of the myth of romantic opera story. Later, in Europe there are opera, is to start singing opera is theater. Are being made outstanding contributions to the opera is Verdi, his artistic career in music history occupies an important posi
41、tion. Second, Chinese opera and European opera differences (A) freehand and realism Chinese Opera and European opera for the USs pursuit of art, with their own concept of national culture and art are closely related origins. Chinese people believe that Where the sound of, there has been heart health
42、 is. The peoples movement, and materials to make natural ( Music). Ancient Chinese opera art is thus stressed that in my view of things, the aesthetic criteria. Westerners who think that art should be objects have not and stressed that to objects are objects important philosophical thinking. Chinese
43、 opera and poetry, words, songs, endowed with the relationship between the origins, emphasis, Yan Zhi lyric, the European opera, was derived from the ancient Greek epic drama, emphasis on reproduction of imitation. Chinese opera freehand seeking the United States, the European opera realism truth. T
44、hese two different aesthetics of art and music are closely related to the creation of methods. (B) sing and sing Chinese opera to sing songs. By singing to Joking content; Zeyi Singspiel opera in Europe, that is to talk with the feelings of bel canto singing. Therefore, in the past performance of Ch
45、ina is the theater, Europes performance is the theater. This title is also a coincidence, but it is also related to this exactly. (C) differences in speech - Is a major factor in the spread of the sound, dramatic music, singing voice through technical training to become artistic vocal skills. Genera
46、lly speaking, pay attention to sweet sound of Chinese opera Yuan-liang, while the European opera is seeking bright and wide flood. Chinese opera vocal technique is the use of pubic emboldened to make the air pin down the voice strong and full, mellow sweet, the use of light and heavy circumflex audi
47、ble skills, the complexity of the feelings of the characters can the performance of Lin Lin to make letter. European opera in the 19th century, 40 years, with the rise of Verdis opera of patriotism, combined with the band expanded orchestration heavier emphasis on the performance of passion and ther
48、efore calls for the generous mood, that is, with a strong chest and ambitious volume, in order to achieve bold and unconstrained dramatic effects. Reposted elsewhere in the paper for free download http:/ (D) in the articulation of different aspects of Singing is based on the word sounds and feelings
49、, whether it is Western, singing the word love when they were required combination of the two come to embody the image of perfect art. However, in the national habits and there are differences between Chinese and Western aesthetic consciousness. Chinese opera characters re-cavity light-emphasized by the words of Health ca
