Naturalism of Dreiser in Sister Carrie论嘉莉妹妹中的自然主义.doc

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1、Naturalism in Sister CarrieAbstract: Theodore Dreiser ,the writer of Sister Carrie ,is one of the most outstanding representatives of American naturalism. In this thesis, his first novel Sister Carrie is taken as an example to analyze the features of Dreisers naturalism. The thesis referred to three

2、 great historical and cultural background of the novel which are Darwinism, Determinism, American Naturalism and Industrial Revolution .And the thesis analyzes three features of naturalism. At last, we pay attention to Dreisers exploration -human desire and revelation of the dark side of human natur

3、eKey Words: Naturalism Darwinism desire environment human natureNaturalism of Dreiser in Sister CarrieIntroductionTheodor Dreiser (1871-1945), an American author, outstanding representative of naturalism, whose novels depict real-life subjects in a harsh light. Many of his works referred to the desc

4、ription of naturalism and weakened his critical spirit. His first novel Sister Carrie published in 1990 revealed the financial disparity and the moral decline of American society and thus regarded as forbidden book. But now the book becomes one of the best-sellers of American literature because of t

5、he naturalistic features in it. Then Dreiser is regarded as a pioneer of American naturalism and as a naturalist Dreiser expresses the characteristics of naturalism in most of his works. The themes of Darwinism and Determinism are the common features of Dreisers story which also characterize Sister

6、Carrie.Dreiser chose to reflect life truthful in his works when other novels deal only with the beautiful aspects of life,. It is not an exaggeration to say that Dreisers Sister Carrie clears the way for the development of American fiction. From follow analysis of three aspects and conclusion,we can

7、 find out the naturalism of Dreiser in Sister Carrie1. The historical and cultural background for Sister CarrieTheodore Dreisers Sister Carrie reflects the profound transformations in American life in the late nineteenth century. 1.1 Darwinism and Determinism In 1859, Darwins The Origin of Specie ap

8、peared. It soon changed mans recognition. Before Darwin, human was separated from the animals because of its moral. However, at this time evolutionist considered human as a part of natural things and a member of the animal kingdom. American naturalists accepted “bestiality” and “ human beast” as an

9、explanation of desire. They attempted to achieve extreme objectivity and frankness presenting characters of low social and economic classes who are determined by their environment and heredity. They dismissed the validity of comforting moral truth. Darwinism is the most important theory, which great

10、ly affects Sister Carrie.Freuds theory gives theoretic basis to Dreisers description of mans desire. Freud considers mans natural instinct as determination. To him man is a part of nature since man is a member of animals. Human mentality and action will forever be determined by instinct. Desire is j

11、ust a genetic instinct in his opinion. 1.2 American naturalismSister Carrie was written and published also at the rise of American naturalism, which means a particular genre of fiction that developed in the late 19th century America, and associated principally with writers such as Jack London , Step

12、hen Crane, Frank Norris and Theodore Dreise.At the end of nineteenth century came a generation of writers whose ideas of the working of the universe and whose perception of the societys disorder led them to naturalism. A new and harsher realism, naturalism was introduced to the United States, litera

13、ry naturalists spoke out against the ideas that literature should present what Howells called for the smiling aspects of life. Instead, they attempted to achieve extreme objectivity and frankness presenting characters of low social and economic classes who were dominated by their environment or here

14、dity in depicting the extremes of life. American naturalists emphasized that world was amoral that men and women had no free will, that their lives were controlled by heredity and the environment, that religious truths were illusory, and that the destiny of humanity was misery in life and ablivion i

15、n death.1. 3 Industrial RevolutionIndustrial Revolution brought American people a value crisis. The 19th century was the time of industrialization. Serial changes made people feel they were conquering the world and obtaining their treasures. The surprising development made people feel too close to w

16、ealth and happiness. Then appeared small amounts of industrial giants and large number of poor people, American value materialistic to the core. Living in such a society with such a value system, the human individual is obsessed with a never end, yet meaningless search for satisfaction of his desire

17、. 2. The typical characteristics of naturalism in Sister Carrie In Sister Carrie I find out that some of its themes differ from those of other naturalistic works. 2.1 The desire, instinct and the ifluence of environments Freuds theory gives theoretic basis to Dreisers description of mans desire. Fre

18、ud considers mans natural instinct as determination. To him man is a part of nature since man is a member of animals. Human mentality and action will forever be determined by instinct. Desire is just a genetic instinct in his opinion.This thesis covers Dreisers meaningful ideas-desire. Mans behavior

19、 is dominated by instincts (desires, needs and fear) and environments (cities and consumerism) and chances. In the process of evolution, man is not able to control instincts completely. Desire is considered hereditary and instinctive. In this novel most of the central characters are hurried by a des

20、ire of personal affirmation, a desire they can neither articulate nor suppress. And Carrie Meeber is the representative. She sufferd from a need that her lives assume the dignity of dramatic form, and they suffer terribly, because they do not really understand it.Her view to money is “Money, somethi

21、ng everybody else has and I must get.” (Theodore Dreiser, 1979, P77) Drouet then becomes her first ladder. When Drouet give her money for the first time, she hesitates. She knows clearly that no deep, sinister soul with ulterior motives could have given her fifteen cents under friendship, since “nat

22、ure has taught the beasts of the beats of the field to fly when some unheralded dangers threatens” (Theodore Dreiser, 1979, P79) Here in her superego, she has a feeble instinct of self-production. However, deep in her mind, there is a strong desire for better clothes, jewelry, dinning in halls and p

23、lays in the theaters. Then preconscious becomes weak. Id gets upper hand. At last, id implies the superego and Carrie chooses to live with Drouet. When she knows that Drouets love is unsteady, the appearance of Hurstwood stimulates her new hope and desire. It is the new hope and desire that compels

24、her actions. “his kind of unfulfilled dreams would beckon and lead her until death and dissolution dissolve their power and would restore her blind to natures heart” (Theodore Dreiser, 1979, P353) When Hurstwood can supply the life she dreams of, she stays with him, if not, she leaves. With the degr

25、adation of Hurstwood, Carrie would not endure losing her dreams. When she meets Mrs Vance, Carrie longs for the dainty decorated, beautiful clothes and genteel manners. “What a wonderful thing it was to be rich” (Theodore Dreiser, 1979, P385) is the powerful voice of her heart. Without money,she lea

26、ves again.From the beginning to the end, Carrie is just like a machine controlled by the desires . 2.2 The influence of the environmentEnvironment is a tremendous thing often leads people to a wrong direction.Drouet tells Carrie that Chicago is a wonder, and that she will find lots to see. Even her

27、siste tells her, “Youll want to see the city.” 1She comes there. She comes to the big web of Chicago in order to pursue a happy life. The prosperous parties, lights, dinners, theatres attract her.she chooses Drouet.As soon as she sees Hurstwood, she evaluates his worthhis wealth, position and sexual

28、ity-by his “rich” plaid vest, mother of pearl buttons and soft black shoes “polished only to a dull shine.” When she meets Mrs Vance, Carrie longs for the dainty decorated, beautiful clothes and genteel manners. “What a wonderful thing it was to be rich” (Theodore Dreiser, 1979, P385) is the powerfu

29、l voice from the bottom of her heart. She inters another pursuition.3. Dreisers exploration-human desire and revelation of the dark side of human natureFrom the first novel Sister Carrie on, Dreiser set himself to project the American values for what he had found them to be -materialistic to the cor

30、e. Living in such a society with such a value system, the human individual is obsessed with a never-ending, yet meaningless search for satisfaction of his desires. One of the desires is for money which was a motivating purpose of life in the United States in the late l9th century. For example, in Si

31、ster Carrie, there is not one character whose status is not determined economically. Sex is another human desire that Dreiser explored to considerab1e lengths in his novels to reveal the dark side of human nature. In Sister Carrie, Carrie climbs up the social ladder by means of her sexual appeal. Al

32、so in the “Trilogy of Desire,”the possession of sexual beauty symbolizes the acquisition of some social status of great magnitude. However, Dreiser never forgot to imply that these human desires in 1ife could hardly be defined. They are there like a powerful magnetism governing human existence and r

33、educing human beings to nothing. So like all naturalists he was restrained from finding a solution to the social problems that appeared in his novels and accordingly almost all his works have tragic endings.ConclusionThis short thesis can not cover Dreisers meaningful naturalism. His greatness is in

34、 his insight, his sympathy, and his tragic view of life. Dreiser explorated human desire and revelation of the dark side of human natureReferences:1Bantam. Sister Carrie M. New York: Bantam Classics , 1992. p.61.2 Williams, M & L. B. Burden. Psychology for Language Teachers M. Beijing: Foreign language Teaching and Research Press/Cambridge University Press, 2000. 3 Theodore Dreiser . Sister Carrie M. Bei Jing : Foreign Language Teaching and Studing Press 1981 : 136.1 蒋道超. 德莱塞研究M . 上海: 上海外语教育出版社, 2002 : 125 .

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