TOEFL阅读理解真题汇总.doc
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1、TOEFL阅读理解真题汇总 为了让大家更好的准备托福考试,给大家整理一些托福阅读真题,下面就和大家分享,来欣赏一下吧。托福阅读真题1In eighteenth-century colonial America, flowers and fruit were typically the province of the botanical artist interested in scientific illustration rather than being the subjects of fine art. Early in the nineteenth century, however,
2、the Peale family of Philadelphia established the still life, a picture consisting mainly of inanimate objects, as a valuable part of the artists repertoire. The fruit paintings by James and Sarah Miriam Peale are simple arrangements of a few objects, handsomely colored, small in size, and representi
3、ng little more than what they are. In contrast were the highly symbolic, complex compositions by Charles Bird King, with their biting satire and critical social commentary. Each of these strains comminuted into and well past mid-century.John F. Francis (1808-86) was a part of the Pennsylvania still-
4、life tradition that arose, at least in part, from the work of the Peales. Most of his still lifes date from around 1850 to 1875. Luncheon Still Life looks like one of the Peales pieces on a larger scale, with greater complexity resulting from the number of objects. It is also indebted to the luncheo
5、n type of still life found in seventeenth-century Dutch painting. The opened bottles of wine and the glasses of wine partially consumed suggest a number of unseen guests. The appeal of the fruit and nuts to our sense of taste is heightened by the juicy orange, which has already been sliced. The arra
6、ngement is additive, that is, made up of many different parts, not always compositionally integrated, with all objects of essentially equal importance.About 1848, Severin Roesen came to the United States from Germany and settled in New York City, where he began to paint large, lush still lifes of fl
7、owers, fruit, or both, often measuring over four feet across. Still Life with fruit and champagne is typical in its brilliance of color, meticulous rendering of detail, compact composition, and unabashed abundance. Rich in symbolic overtones, the beautifully painted objects carry additional meanings
8、 butterflies or fallen buds suggest the impermanence of life, a birds nest with eggs means fertility, and so on. Above all, Roesens art expresses the abundance that America symbolized to many of its citizens.1. What does the passage mainly discuss?(A) The artwork of James and Sarah Miriam Peale(B) H
9、ow Philadelphia became a center for art in the nineteenth century(C) Nineteenth-century still-life paintings in the United States(D) How botanical art inspired the first still-life paintings2. Which of the following is mentioned as a characteristic of the still lifes of James and SarahMiriam Peale?(
10、A) simplicity(B) symbolism(C) smooth texture(D) social commentary3. The word biting in line 8 is closest in meaning to(A) simple(B) sorrowful(C) frequent(D) sharp4. The word It in line 13 refers to(A) Luncheon Still Life(B) one of the Peales pieces(C) a larger scale(D) the number of objects5. The wo
11、rd heightened in line 16 is closest in meaning to(A) complicated(B) directed(C) observed(D) increased6. The word meticulous in line 23 is closest in meaning to(A) careful(B) significant(C) appropriate(D) believable7. Which of the following terms is defined in the passage ?(A) repertoire (line 5)(B)
12、satire (line 8)(C) additive (line 17)(D) rendering (line 23)8. All of the following are mentioned as characteristics of Roesens still lifes EXCEPT that they(A) are symbolic(B) use simplified representations of flowers and fruit(C) include brilliant colors(D) are large in size9. Which of the followin
13、g is mentioned as the dominant theme in Roesens painting?(A) Fertility(B) Freedom(C) Impermanence(D) AbundancePASSAGE 89 CADAD ACBD托福阅读真题2Perhaps one of the most dramatic and important changes that took place in the Mesozoic era occurred late in that era, among the small organisms that populate the
14、uppermost, sunlit portion of the oceans the plankton. The term plankton is a broad one, designating all of the small plants and animals that float about or weakly propel themselves through the sea. In the late stages of the Mesozoic era, during the Cretaceous period, there was a great expansion of p
15、lankton that precipitated skeletons or shells composed of two types of mineral: silica and calcium carbonate.This development radically changed the types of sediments that accumulated on the seafloor, because, while the organic parts of the plankton decayed after the organisms died, their mineralize
16、d skeletons often survived and sank to the bottom. For the first time in the Earths long history, very large quantities of silica skeletons, which would eventually harden into rock, began to pile up in parts of the deep sea. Thick deposits of calcareous ooze made up of the tiny remains of the calciu
17、m carbonate-secreting plankton also accumulated as never before. The famous white chalk cliffs of Dover, in the southeast of England, are just one example of the huge quantities of such material that amassed during the Cretaceous period; there are many more. Just why the calcareous plankton were so
18、prolific during the latter part of the Cretaceous period is not fully understood. Such massive amounts of chalky sediments have never since been deposited over a comparable period of time.The high biological productivity of the Cretaceous oceans also led to ideal conditions for oil accumulation. Oil
19、 is formed when organic material trapped in sediments is slowly buried and subjected to increased temperatures and pressures, transforming it into petroleum. Sediments rich in organic material accumulated along the margins of the Tethys Seaway, the tropical east-west ocean that formed when Earths si
20、ngle landmass (known as Pangaea) split apart during the Mesozoic era. Many of todays important oil fields are found in those sediments in Russia, the Middle East, the Gulf of Mexico, and in the states of Texas and Louisiana in the United States.1. What does the passage mainly discuss?(A) How sedimen
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