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1、电影 夺宝奇兵 RAIDERS OF THE LOST ARK 英文剧本经典英文剧本 1 / 92 RAIDERS OF THE LOST ARK Screenplay by Produced by Directed by Lawrence Kasdan Frank Marshall Steven Spielberg Cast List: Harrison Ford Karen Allen Paul Freeman Ronald Lacey John-Rhys Davies Denholm Elliott Wolf Kahler Anthony Higgins Alfred Molina In
2、diana Jones Marion Ravenwood Belloq Toht Sallah Marcus Brody Dietrich Gobler Satipo FADE IN: EXT. PERU HIGH JUNGLE DAY The dense, lush rain forests of the eastern slopes of the Andes, the place known as The Eyebrow of the Jungle. Ragged, jutting canyon walls are half-hidden by the thick mists. The M
3、AIN TITLE is followed by this: PERU A narrow trail across the green face of the canyon. A group of men make their way along it. At the head of the party is an American, INDIANA JONES. He wears a short leather jacket, a flapped holster, and a brimmed felt hat with a weird feather stuck in the band. B
4、ehind him come two Spanish Peruvians, SATIPO and BARRANCA. Bringing up the rear are five Yagua INDIANS. They act as porters and are wrangling the two heavily-packed llamas. The Indians become increasingly nervous. They speak to each other in bursts of Quechua. The American, who is known to his frien
5、ds as Indy, glances back at them. 经典英文剧本 2 / 92 BARRANCA (irritated) Theyre talking about the Curse again! He turns and yells at the Indians in Quechua, his anger giving an indication of his own fears. The party reaches a break in the canyon wall and takes the trail through it. When they emerge, the
6、ir destination is revealed to them in the distance. Beyond a thick stand of trees is the vegetation-enshrouded TEMPLE OF THE CHACHAPOYAN WARRIORS. The entire party is struck by the sight. The Indians, terrified now, chatter away. Suddenly the three at the back turn and run, dropping their packs as t
7、hey go. Barranca yells at the fleeing Indians and pulls his pistol out. He starts to raise his arm to aim but Indy restrains it in a muscular grip. INDY No. Barranca looks evilly at Indys hand upon him. Indy releases him and smiles in a friendly way. INDY We dont need them. Satipo watches this confr
8、ontation with some concern. BARRANCA I do not carry supplies. INDY Well leave them. Once weve got it, well be able to reach the plane by dusk. He turns back to the trail. Satipo gets the two remaining Indians moving behind Indy. Satipo and Barranca then have a fast, silent communication: Barranca in
9、dicates his desire to slit Indys throat; Satipo gives him a look that says Be patient, you idiot. THE APPROACH TO THE TEMPLE The party fans out to fight their way through the entwined trees that guard the temple. Visibility is cut to five feet in the heavy mist. Satipo extracts a short, native dart
10、from a tree and examines the point gingerly SATIPO (showing Indy) The Hovitos are near. The poison is still fresh. three days. Theyre following us, I tell you. 经典英文剧本 3 / 92 INDY If they knew we were here, they would have killed us already. The two Indiana jabber in Quechua, near hysteria. Barranca
11、is sweating profusely, eyes darting. He yells at the Indians in Quechua to shut up. In the undergrowth, there is slithering movement. Indian #1 draws aside a branch and is faced with a horrific stone sculpture of a Chachapoyan demon. The Indian is so frightened no sound comes out when he screams. He
12、 turns and runs silently away. Indian #2 calls to his friend. Getting no response, he steps in that direction. A huge macaw, flushed from the undergrowth, screams and flies away. Indian #2 does exactly the same thing, never to be seen again. Indy, Satipo and Barranca, just clearing the trees, look b
13、ack in that direction. They all turn to face the Temple. It is dark and awesome. Vegetation curls from every crevice, over each elaborate frieze. The entrance round, open and black has been designed to look like open jaws. INDY So this is where Forrestal cashed in. SATIPO A friend of yours? INDY Com
14、petitor. He was good, very good. BARRANCA (nervous) No one has ever come out of there alive. Why should we put our faith in you? Indy takes the weird feather from the band of his hat. From around its point, he slips a tightly rolled piece of parchment. Barranca and Satipo exchange a quick So thats w
15、here is was! look. They all kneel as Indy spreads out the parchment. On it is one-half of a crude floorplan of the Temple. INDY No one ever had what we have. partners. Indy fixes them with an expectant stare. Satipo produces a similar, but folded, piece of parchment. He lays it the other half of the
16、 floorplan next to Indys. They all regard it for a moment, then Indy stands and walks toward the Temple. Barrancas eyes are shining as they dart between the floorplan and Satipo. INDY 经典英文剧本 4 / 92 (back turned) Assuming that pillar there marks the corner and. Barranca is suddenly on his feet, quiet
17、ly drawing his pistol. He raises it toward Indy as Satipo realizes with alarm what hes doing. Too late. Indys head turns and he sees Barranca. Indys next move is amazing, graceful and fast, yet totally unhurried. His right hand slides up under the back of his leather jacket and emerges grasping the
18、handle of a neatly curled bullwhip. With the same fluid move that brings Indys body around to face the Peruvian, the whip uncoils to its full ten foot length and flashes out. The fall of the whip (the unplaited strip at the end of the lash) wraps itself around Barrancas hand and pistol. He could not
19、 drop the gun now if he tried. Indy gives the whip a short pull and Barrancas arm in jerked down, where it involuntarily discharges the gun into the dirt. Barranca is amazed, but feels some slack in the whip and immediately raises the gun toward Indy again, cocking it with his free hand. Indys face
20、goes hard. And sad. Indy sweeps his arm in a wide arc. Barranca spins around, enclosed in the whip, his gun hand stuck tight against his body. Indy gives one more short jerk on the whip handle and Barrancas gun fires. Barranca falls dead. Indy looks quickly at Satipo, who is shocked and frightened.
21、He raises his arms in supplication. SATIPO I knew nothing! He was crazy! Please! Indy looks him over, then nods. He frees the whip from Barrancas body and picks up the man. His eyes sweep the surrounding woods. INDY Lets go. INT. TEMPLE INCLINED PASSAGE DAY Indy and Satipo, carrying a torch, walk up
22、 the slightly inclined, tubular passage from the main entrance. The interior is wet and dark, hanging with plant life and stalactites. Their echoing footsteps intermittently overpower the sounds of loud dripping, whistling air drafts and scampering claws. HALL OF SHADOWS Indy leads the way down a tw
23、isting hallway, Satipos torch barely lighting his way from behind. Indy disappears in a shadow and when he reappears a moment later a huge black tarantula is crawling up the 经典英文剧本 5 / 92 back of his jacket. Indy doesnt notice and disappears into another shadow, emerging with two more tarantulas on
24、his back. Satipo sees them and makes a frightened grunting sound. Indy looks at him, sees what hes pointing at and casually brushes all three spiders off with his rolled whip, as he would a fly. Satipo pirouettes for an inspection and Indy flicks one off the Peruvians back. Indy begins picking up li
25、ttle pocket-sized artifacts from the niches and ledges of the Temple. He continues to do this as the men penetrate the Temple. His collecting is quick and expert, evaluating the pieces in an instant, discarding some, stuffing others into his clothes, and never stopping his forward progress. CHAMBER
26、OF LIGHT The men reach an arch in the hall. The small chamber ahead, which interrupts the hall, is brightly lit by a shaft of sunlight from high above. Indy stops, looks it over. SATIPO Whats wrong? Are you lost? Indy picks up a stick and throws it through the shaft of light. Giant spikes spring tog
27、ether from the sides of the chamber with a ferocious CLANG! And impaled on the spikes are the remains of a white man, half-fleshed, half skeleton, in explorer-type grab. Indy reaches out and takes hold of the mans carcass. As the spikes slowly retract, Indy pulls it free and seats the remains gently
28、 on the floor. INDY Forrestal. SATIPO (gulps) We can go no further. INDY Now, Satipo, we dont want to be discouraged by every little thing. Indy steps sideways into the chamber. His back pressed against the very points of the retracted spikes, he moves along the edge of the light beam, and steps cle
29、ar on the other side. Satipo grimaces and begins sweating his way through. STAIRWAY Indy and Satipo come down stone stairs to a tight landing. Framing the entry are a carefully strung network of dead vines, each somehow hooked into the wall, narrowing the opening even more. INDY 经典英文剧本 6 / 92 (takin
30、g torch) Let me see that. He lowers the torch to the floor of the landing. The landing is carpeted with human skeletons, one on top of another, all squashed flat as cardboard. Satipo gasps. Indy looks up at the ceiling of the landing, then steps onto skeletons, which make a cracking noise under his
31、feet. INDY Try not to touch the vines. FOYER OF THE SANTUARY The men are in a high, straight hallway 50 feet long. The door at the end is flooded with sunlight. SATIPO Senor, I think we are very close. Indy stands still looking at the hall. SATIPO (impatient) Let us hurry. There is nothing to fear h
32、ere. INDY Thats what scares me. They begin walking down the hall side by side. Satipo has inched a little ahead. Suddenly his lead foot comes down and through the floor! As Satipo begins to pitch forward, Indy grabs him by the belt and pulls him back. They both look down at the floor. Indy swings hi
33、s whip across the floor. Fifteen feet of it cuts open beneath the lash, falling away to reveal black pit as wide as the hall. The illusory floor was made of dust-covered cobwebs. Satipo picks up a stone and drops it down the pit. No sound. The two men exchange glances. Indy looks up at the high roof
34、 of the hall. He swings the whip up around a support beam, tests its strength with a pull and swings over the pit on the whip. From the other side he swings the whip back to Satipo, who throws Indy the torch. Satipo swings across. When they are both standing on solid floor there is a moment of quiet
35、 in which they hear, from far, far below SPLASH! Indy wedges the whip handle into the wall and leaves it strung to the beam for quick retreat. THE SANTUARY A large, domed room. Ten evenly-spaced skylights send their shafts of sunlight down to a unique tiled floor: white and black tiles laid out in a
36、 lovely, intricate pattern. Indy and Satipo stand at the door and look across 经典英文剧本 7 / 92 the wide room at the altar. There, in the supreme hallowed spot, is a tiny jeweled figurine, Indys real objective. Two torches, many years old, are in holders by the door. Indy takes one down and lights it. H
37、e gives the regular torch to Satipo. SATIPO Theres plenty of light, amigo. Indy kneels and uses the unlit end of the torch to reach out and tap a white tile. It is solid. He taps a black tile. There is a whizzing sound and a tiny dark sticks in the torch. Satipo points to the wall nearby: there is a
38、 recessed hole there. SATIPO From that hole! Indy nods, stands and looks around the sanctuary. The entire room is honey-comed with the same kind of hole. Satipo sees it too and is properly impressed. INDY You wait here. SATIPO If you insist, senor. Torch in hand, Indy begins his careful walk across
39、the sanctuary. Stepping only on the white tiles, he almost appears to be doing a martial arts kata. Before each big move he waves the torch in front of him head to toe, looking at the flame. Halfway out, he sees something on the floor and kneels to look at it. A dead bird lies on one of the white ti
40、les. Its body is riddled with little deadly darts. This has great significance to Indy and he stands with even greater caution. He waves the torch ahead of him and at waist height an air current whips at the flame. Indy ducks under it and leaves a burn mark on the white tile beneath it. Satipo watch
41、es, wide-eyed and mystified. Indy reaches the altar. The tiny idol looks both fierce and beautiful. It rests on a pedestal of polished stone. Indy looks the whole set-up over very carefully. From his jacket he takes a small, canvas drawstring bad. He begins filling it with dirt from around the case
42、of the altar. When he has created a weight that he thinks approximates the weight of the idol, he bounces it a couple times in his palm concentrating. Its clear he wants to replace the idol with the bag as smoothly as possible. His hand seems ready to do that once, when he stops, takes a breath and
43、loosens his shoulder muscles. Now he sets himself again. And makes the switch! The idol is now in his hand, the bag on the pedestal. For a long moment it sits there, then the polished stone beneath the bag drops five inches. This sets off an AURAL CHAIN REACTION of steadily increasing volume as some
44、 huge mysterious mechanism rumbles into action deep in the temple. Indy spins and starts his kata back across the sanctuary at four times the speed. 经典英文剧本 8 / 92 Satipos eyes widen in terror. He turns and runs. THE RETREAT INTERCUTTING INDY AND SATIPO The sanctuary has begun to rumble and shake in
45、response to the mysterious mechanism. Just as Indy goes out the door, a rock shakes loose from the wall and rolls onto the tiles floor. Immediately, a noisy torrent of poison darts fills the room. IN THE FOYER Satipo swings across the pit. He makes it just as the whip comes undone from the beam, lea
46、ving Indy without an escape. Satipo, extremely nervous, regards the whip a moment then turns back to face Indy, who has run up to the far side of the pit. SATIPO No time to argue. Throw me the idol, I throw you the whip. Indy hesitates, eyeing the rumbling walls. SATIPO You have no choice! Hurry! In
47、dy concurs with that assessment. He tosses the idol across the pit to Satipo. Satipo stuffs it in the front pocket of his jacket, gives Indy a look, then drops the whip on the floor and runs. SATIPO Adios, amigo! Indy grimaces. He had a feeling this might happen. He looks around. AT THE VINED LANDING Satipo flies through like a chubby ballet dancer and takes the steps five at a time. IN THE FOYER Indy runs in full stride to the edge of the pit and broad jumps into space. He doesnt make it. His body hits the far side of the pit and he begins to slide out of
