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1、The Katherine Mansfield Centenary ConferenceThe Centre for New Zealand Studies,Birkbeck, University of London,in association with The University of Northampton,would like to thank the following organisations for their generous support of this conference:The New Zealand High Commission, London The Ne
2、w Zealand Society (UK)Ki te taumata, Aotearoa kiIngarangiWe would also like to express particular thanks to the following people:Sir Graeme Davies, FREng, FRSE,Vice-Chancellor of the University of LondonBronwen Chang, Deputy High Commissioner forNew Zealand to the United KingdomProfessor Philip Dewe
3、, Vice-Master, Birkbeck, University of LondonSarah Sandley, CEO, New Zealand MagazinesCONFERENCE PROGRAMMEThursday 4 September10.00-10.30Registration (Clore B01 foyer)10.30-10.45Tea/coffee (Clore B01 foyer) 10.45-11.00Welcome talk Gerri Kimber and Janet Wilson (Clore B01) 11.00-11.15Conference opene
4、d by Sir Graeme Davies, FREng, FRSE, Vice-Chancellor of the University of London, and Bronwen Chang, Deputy High Commissioner for New Zealand to the United Kingdom.11.15-12.05 Keynote 1 (Clore B01) Professor C. K. Stead (University of Auckland) “Meetings with the Great Ghost”Chair: Professor Rod Edm
5、ond (University of Kent)12.10-1.20Session 1a (Main B36) Philosophical ReflectionsChair: Josiane Paccaud-Huguet (University of Lyon II)Miroslawa Kubasiewicz (University of Zielona Gora) “Authentic Existence and the Characters of Katherine Mansfield”Eiko Nakano (Kyoto Sangyo University) “Katherine Man
6、sfields Early Writing and Henri Bergson”.Janna Stotz (Texas Tech University)“Katherine Mansfields Playframes”Session 1b (Clore, B01) MusicChair: Roger Neill (Chair, Music Preserved)Vanessa Manhire (Rutgers University) “Mansfield, Woolf and Music”Delia da Sousa Correa (Open University)“Katherine Mans
7、fields Nineteenth-Century Musicality”1.20-2.30Lunch2.30-3.20 Keynote 2 (Clore B01) Professor Angela Smith (University of Stirling) “As fastidious as though I wrote with acid: Mansfield and the Rhythm Group”Chair: Professor Kirsty Gunn (University of Dundee)3.25-4.35Session 2a (Main B36) Flora, Fauna
8、 and the ElementsChair: Urmila Seshagiri (University of Tennessee)Leena Chandorkar (Abasaheb Garware College)“The Gardens of the Mind: Flowers, Shrubs and Trees in the Short Stories of Katherine Mansfield”Melinda Harvey (Australian National University)“Katherine Mansfields Menagerie”Janka Kakov (Uni
9、versity of Ruomberok) “Turning Blue with Cold: Coldness in the Works of Katherine Mansfield”Session 2b (Clore B01) Je ne Parle pas Franais and First-Person NarrativesChair: Anne Mounic (University of Paris III)Anna Smith (University of Canterbury)“Katherine Mansfields Je ne Parle pas Franais” Elke D
10、hoker (University of Leuven)“Katherine Mansfields First Person Narratives”Elleke Boehmer (University of Oxford)“Mansfield as Colonial Modernist: Je ne Parle pas Franais”4.35-4.55Tea/coffee (Clore B01 foyer)4.55-5.45Keynote 3 (Clore B01) Dr Ian Conrich (Centre for New Zealand Studies, Birkbeck, Unive
11、rsity of London)“Leave All Fair: Capturing the Story of Two Lives”Chair: Dr Simone Oettli-van Delden (University of Geneva)5.50-6.50(Clore B01 foyer) Wine Reception and Finger Buffet7.00-8.30(Clore B01) Film Screening: Leave All Fair, introduced by Dr Ian Conrich_Friday 5 September9.30-10.40Session
12、3a (Main B36) Mansfield in the Social SphereChair: Valrie Baisne (University of Paris II)Rishona Zimring (Lewis and Clark College, Oregon)“Katherine Mansfield and the Rhythms of Social Life”Jay Dickson (Reed College, Oregon)“Knowing What We Feel About Katherine Mansfield”Urmila Seshagiri (University
13、 of Tennessee)“Katherine Mansfield, Race, and the Appearance of an Aesthetic”Session 3b (Clore B01) Travel and ReceptionChair: Mary Cond (Queen Mary, University of London)Denise Hill (University of Western Australia) “Katherine Mansfield and the Fictions of Travel: Border Crossings into France”Igor
14、Maver (University of Ljubljana)“Trading Places in New Zealand: Katherine Mansfield and Alma Karlin”Michaela Mudure (University of Babes-Bolyai)“Katherine Mansfield in Romania”10.40-11.00 Tea/coffee (Clore B01 foyer)11.05-11.55Keynote 4 (Clore B01) Professor Sydney Janet Kaplan (University of Washing
15、ton) “A Furious Bliss: Mansfield and Murry 1916-1918”Chair: Professor Igor Maver (University of Ljubljana)11.55-1.05Lunch1.10-2.20 Session 4a (Main B36) The Self and FamilyChair: Elke Dhoker (University of Leuven)Bruce Harding (University of Canterbury)“A Disjunctive Vision Disjoined: The Women in t
16、he Stor(y) in Katherine Mansfields The Aloe (1915-16)”Ya-Ju Yeh (National Chengchi University)“Ideal Wives? Domestic Objects and the Faade of Femininity”J. Lawrence Mitchell (Texas A & M University)“Katherine Mansfield and Little Brother: Death in the Family”Session 4b (Clore B01) ChildrenChair: Ann
17、a Smith (University of Canterbury)Clare Barker (University of Leeds)“Katherine Mansfields New Zealand Children”Christine Lorre (University of Paris III)“Katherine Mansfields Children: From Sentimentalism to Psychological Awareness”Delphine Soulhat (University of Paris X)“Kezia in Wonderland”2.30-3.2
18、0Keynote 5 (Clore B01) Amy Rosenthal (playwright)“Playing with the Truth: Mansfield and Lawrence in On The Rocks” Chair: Dr Gerri Kimber (Centre for New Zealand Studies, Birkbeck, University of London)3.20-3.40Tea/coffee (Clore B01 foyer)3.50-5.00Session 5a (Main B36) Artistic and Cinematic Influenc
19、esChair: Dr Ian Conrich (Centre for New Zealand Studies, Birkbeck, University of LondonYoung Sun Choi (Kyungpook National University)“All Glittering With Broken Light: Katherine Mansfield and Impressionism”Melissa Reimer (University of Canterbury)“Katherine Mansfield: Colonial Impressionist”Sarah Sa
20、ndley (Independent Scholar)“Mansfield as Cinematic Writer”Session 5b (Clore B01) ModernismsChair: Anne Besnault-Levita (University of Rouen)Nick Hubble (University of Brunel)“Rosabel is Still Dreaming: Katherine Mansfield and the Limits of Modernism”Anne Mounic (University of Paris III)“Ah, what is
21、it? that I heard. The Sense of Wonder in Katherine Mansfields Stories and Poems”Josiane Paccaud-Huguet (University of Lyon II)“A Trickle of Voice: Katherine Mansfield and the Modernist Moment of Being”6.30Conference DinnerVenue: Penthouse, New Zealand House, 80 Haymarket, London SW16.30-7.00Arrival
22、and drinks7.00-8.00Keynote 6 Professor Mary Ann Caws (City University of New York)“False Moves and Real Surprises: Katherine Mansfields Story-telling”Chair: Professor Janet Wilson (University of Northampton)8.00Dinner_Saturday 6 September8.45-9.55Session 6a (Main B36) Representing the SelfChair: Ris
23、hona Zimring (Lewis & Clark College, Oregon)Nancy Gray (The College of William and Mary) “The Uncontained Self in Mansfields Narratives of Displacement and Play”Thomas Day (University of Central Lancashire)“The Politics of Voice in Katherine Mansfields The Garden Party”Anne Besnault-Levita (Universi
24、ty of Rouen)“Ah, what is it? that I heard: Voice and Affect in Katherine Mansfields Short Fictions”Session 6b (Main B35) Borders, Places, PublicationsChair: Anna Jackson (Victoria University of Wellington)Joanna Kokot (University of Warmia and Mazury)“Elusiveness of the World and a Person: The Borde
25、rs of Cognition in Katherine Mansfields Stories”Ana Beln Lpez-Prez (University of Santiago de Compostela)“A City of Ones Own: Women, Social Class and London in Katherine Mansfields Short Stories”Jenny McDonnell (Trinity College, Dublin)“The Famous New Zealand Mag.-Story Writer: Katherine Mansfield,
26、Periodical Publishing and the Short Story”10.00-10.50Keynote 7 (Main B36) Kathleen Jones (Royal Literary Fund Fellow) “John Middleton Murry and the Mansfield Legacy”Chair: Dr Gina Wisker (University of Brighton)10.50-11.05Tea/coffee (Main B04)11.05-12.15Session 7a (Main B36) Literary LegacyChair: Wi
27、lliam Wright (Mesa State College, Colorado)Ailsa Cox (Edge Hill University)“Tragi-Comic Encounters and Mansfields Legacy”Kirsty Gunn (University of Dundee)“Place, Familiarity and Distance: Katherine Mansfield and Me”Simone Oettli-van Delden (University of Geneva)“Katherine Mansfield as Muse: The Mim
28、esis of her Life and Art”Session 7b (Main B35) Portraits and IllustrationsChair: Melinda Harvey (Australian National University)Penny Jackson (University of Queensland)“Facing Katherine Mansfield: Mansfield as a Subject for the Artist”Susan Wilson (Princes Drawing School)“What was it Like to be The
29、Little Governess?”12.15-1.15Lunch1.15-2.05 Keynote 8 (Main B36) Professor Clare Hanson (University of Southampton) “Katherine Mansfields Uncanniness”Chair: Professor Elleke Boehmer (University of Oxford)2.10-3.20Session 8a (Main B35) Literary InfluencesChair: Nick Hubble (Brunel University)Stuart Cl
30、arke (Virginia Woolf Society)“Cranford and The Daughters of the Late Colonel”Sue Reid (University of Northampton)“The Subject of Maleness: Katherine Mansfield and D. H. Lawrence”William Wright (Mesa State College, Colorado)“A Theatrical Mansfield: The Influence of Chekhovs Plays on Selected Stories”
31、Session 8b (Main B36) Autobiography: Diaries, Letters and FictionChair: Jay Dickson (Reed College, Oregon)Valrie Baisne (University of Paris II)“My Many Selves: Katherine Mansfields Diaries” Anna Jackson (Victoria University of Wellington) “Not Always Swift and Breathless: Katherine Mansfields Lette
32、rs”Janet Wilson (University of Northampton)“Whereis Katherine? Longing and Belonging in the Works of Katherine Mansfield”3.20-3.40Tea/coffee (Main B04)3.40-4.50Session 9a (Main B35) Fantasy and the GothicChair: Joanna Kokot (University of Warmia and Mazury)Emilie Walezak (University of Lyon III)“Fan
33、tasy in Katherine Mansfields Short Stories: The Lure of Narrative and the Lament of Loss”Gina Wisker (University of Brighton)“Suburban Fairytales: Katherine Mansfields Gothic”Gerardo Rodriguez Salas and Isabel Maria Andres Cuevas (University of Granada)“My Insides Are All Twisted Up: When Distortion
34、 and the Grotesque Became The Same Job in Katherine Mansfield and Virginia Woolf”Session 9b (Main B36) Biography and RepresentationChair: Christine Lorre (University of Paris III)Monica Latham (University of Nancy II)Stealing and Reconstructing Katherine Mansfields Life in Janice Kulyck Keefers Thie
35、ves”Mary Cond (Queen Mary, University of London)“Stealing from Katherine Mansfield: Janice Kulyk Keefers Thieves”Gerri Kimber (Centre for New Zealand Studies, Birkbeck, University of London)“Cornish Jealousies: Mansfield in Mansfield and the work of C. K. Stead”4.55-5.45Keynote 9 (Main B36) Professo
36、r Vincent OSullivan (Victoria University of Wellington)“Signing Off: Katherine Mansfields Last Year”Chair: Professor J. Lawrence Mitchell (Texas A & M University)6.15-7.15Theatre Performance (Main B34) Written and performed by Lorae Parry, with Ali Wall and Anne Rabbitt “Bloomsbury Women & the Wild
37、Colonial Girl”Conference EndsKEYNOTE SPEAKERSKeynote 1Meetings with the Great Ghost C. K. Stead (Clore B01)_It was the novelist Damien Wilkins who described Katherine Mansfield as the great ghost of New Zealand cultural life, a description which has prompted me to offer what is not strictly an acade
38、mic paper, but a fragment of literary autobiography a survey of my encounters with Katherine Mansfields work and life over many years, first as reader and (inevitably in those days) New Zealand literary nationalist, influenced by the views of my elders and mentors, Frank Sargeson and Allen Curnow; t
39、hen as Katherine Mansfield fellow in Menton; and following on from that, becoming, over time, editor of a selection of her letters and journals, critic of her work and of what Murry made of it, teacher of courses about her, occasional transcriber of her famously difficult handwriting, and finally, c
40、oming full circle, writer again, turning real Mansfield back into a fictional character in poems, fictions, and the novel Mansfield, in which she and her people are the central subject. Has the great ghost been model, inspiration, distraction or burden to New Zealand writers? The fact that the quest
41、ion cant be given a single or simple answer shouldnt mean it is not worth asking. And to ask it should at least open the subject of our conference up on a broad front.BiographyC. K. Stead has published thirteen collections of poems and two of short stories, ten novels, six books of literary criticis
42、m, and edited a number of texts. His novels are published in New Zealand and the UK, and have been translated into several European languages. He was Professor of English at the University of Auckland for twenty years, before taking early retirement in 1986 to write full time. His book on 20th centu
43、ry modernism, The New Poetic (1964) was for many years a standard text in British universities, and has recently appeared in a new edition from Continuum. His most recent critical books are The Writer at Work (2000), and Kin of Place: Essays on 20 New Zealand Writers (2002). His novel Smiths Dream (
44、1971) became Roger Donaldsons first feature film, Sleeping Dogs, and Sam Neills first movie role. He has won a number of literary prizes, including the Katherine Mansfield prize for the short story, the Jessie McKay Award for poetry, the New Zealand Book Award for both poetry and fiction, and the Ka
45、therine Mansfield Memorial Fellowship. He was awarded a CBE in 1985 for services to New Zealand literature, elected Fellow of the Royal Society of Literature in 1995, Senior Visiting Fellow at St Johns College, Oxford in 1997, and Fellow of the English Association in 2003. He was awarded an Honorary
46、 Doctorate in Letters by the University of Bristol in 2001, and won the Kings Lynn Poetry Award in 2002. His novel Mansfield was published in 2004, followed in 2006 by the acclaimed My Name was Judas. In addition to his most recent poetry collections The Red Tram (2004), and The Black River (2007), a Collected Poems is b
